A Streetcar Named Desire by Tennessee Williams
Balancing Act by Edward Bond
Small Domestic Acts by Joan Lipkin
US Premier of The Cut by Mark Ravenhill
"Mr. Beatty is a charismatic, highly skilled actor who has found a play worthy of
his talents."     --Keith Dillon
Read the Article
screams, moans and groans, every "When he finally gets (The Cut), Beatty fiber in his
body shuddering, and we recoil in horror."   --Eric Marchese
Read the Article
Streetcar... "contrasts rude honesty and polite deceptions, marriage and sisterly
bonds, realism and pretension, and drunkenness and hangovers. Everything is
crammed into tight quarters, filled with cigarette smoke and booze."
   Jeff Hudson
read the article
"David Beatty's Vinnie shines brightly, with some interesting subtext and a
laid-back sense of honesty that works well with what Shepard has provided him."
T.H. MCCULLOH
read the article
Simpatico by Sam Shepard
"...anyone who thinks David Beatty's larceny-minded one-legged dancer doesn't steal
the show didn't see the same show I did."  --Joel Beers
read the article
"Aided by actor David Beatty as various males, from idiot guard to denuded
spouse, these festive floozies attack the vulgarity and bad-acting clichés with an
ironic death grip."
David C. Nichols
read the article
Women Behind Bars by Tom Eyen
Fifty brides flee their fifty grooms and seek refuge in a villa on the coast of Italy
... the fifty grooms catch up with the brides, and mayhem ensues: the grooms
arriving by helicopter in their flight suits, women throwing themselves over and
over again to the ground, pop songs and romantic dances, and, finally, unable
to escape their forced marriages, 49 of the brides murder 49 of the grooms—
and one bride falls in love. About the same odds as today.
Big Love by Charles Mee
The Day It Rained Forever by Katie Rubin and David Beatty
"I will no longer be a poor little man afraid to dream because I know my body will
no longer stand between me and the endless possibilities of this universe."
Love and Money by Dennis Kelly
"Among the most powerful scenes in the play's U.S. premiere are its opener, with
Beatty delivering a nuanced yet compelling portrait of a man wracked with grief and
guilt..."
Eric Marchese - OC Registerr
OC Weekly Review
Orange County Register Review
Backstage Review