A Streetcar Named Desire by Tennessee Williams
Balancing Act by Edward Bond
Small Domestic Acts by Joan Lipkin
US Premier of The Cut by Mark Ravenhill
"Mr. Beatty is a charismatic, highly
skilled actor who has found a play
worthy of his talents."  
     Keith Dillon

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screams, moans and groans, every
"When he finally gets (The Cut), Beatty
fiber in his body shuddering, and we
recoil in horror."
     Eric Marchese

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Streetcar... "contrasts rude honesty
and polite deceptions, marriage and
sisterly bonds, realism and pretension,
and drunkenness and hangovers.
Everything is crammed into tight
quarters, filled with cigarette smoke
and booze."
     Jeff Hudson

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"David Beatty's Vinnie shines brightly,
with some interesting subtext and a
laid-back sense of honesty that works
well with what Shepard has provided
him."
T.H. MCCULLOH

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Simpatico by Sam Shepard
"...anyone who thinks David Beatty's
larceny-minded one-legged dancer
doesn't steal the show didn't see the
same show I did."
     Joel Beers

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Honorable Mention:
Garland Award: David Beatty, Best
Performance, Backstage West
"Aided by actor David Beatty as
various males, from idiot guard to
denuded spouse, these festive floozies
attack the vulgarity and bad-acting
clichés with an ironic death grip."
David C. Nichols

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Women Behind Bars by Tom Eyen
Fifty brides flee their fifty grooms and
seek refuge in a villa on the coast of
Italy ... the fifty grooms catch up with
the brides, and mayhem ensues: the
grooms arriving by helicopter in their
flight suits, women throwing
themselves over and over again to the
ground, pop songs and romantic
dances, and, finally, unable to escape
their forced marriages, 49 of the brides
murder 49 of the grooms—and one
bride falls in love. About the same
odds as today.
Big Love by Charles Mee
The Day It Rained Forever by Katie Rubin and David Beatty
"Create a tiny space, a tiny place
To experience grace
It’d give us just enough faith
To wake up
And face
The fact that today
Leads straight away
To another gray
Tomorrow"
"I will no longer be a poor little
man afraid to dream because I
know my body will no longer stand
between me and the endless
possibilities of this universe."
Love and Money by Dennis Kelly
"Among the most powerful scenes in the play's
U.S. premiere are its opener, with Beatty
delivering a nuanced yet compelling portrait of
a man wracked with grief and guilt..."
     Eric Marchese - OC Registe
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OC Weekly Review

Orange County Register Review

Backstage Review
These Photos Taken by Dan Perlea